Escrito y Dirigido por/Written and Directed by Arístides Vargas La Razón Blindada será presentada sin intermedio y dura 80 minutos. La Razón Blindada runs. La Razón Blindada is a feast for eye, ear and intellect, though far from the brain of Argentine playwright Arístides Vargas, who also directs. Theatre Review: La Razón Blindada. La Razón Blindada, Teatro Malayerba- Arístides Vargas & Gerson Guerra © Alex. Back to Post. You must be logged in.

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Deborah Klugman September 23, 4: The Grupo de Teatro Malayerba teatromalayerba. Clic para cancelar respuesta.

La Tundra Revista | Arístides Vargas: El exilio es un castigo para siempre

Revista impresa — Entrevista: Workshops — Pocha Nostra: Resources — Complete list of Works in Franklin Furnace. Malayerba, the theatre group that was made and created along with other actors in Ecuador, is considered one of the biggest names in Latin Blundada theatre. Aaristides — Circus Vaegas In working together, actors with various backgrounds and nationalities have shown that a multicultural blend is not only possible but also enriching, as differences lead to new identities, embodiments of dreams, memories, absences and pains vafgas are at once local and universal.

His fear and his humanity are palpable, and as we glimpse his awareness of his plight, we sense a bridge between his experience and our own. Works — Teatro Oficina: Works — La Candelaria: No matter how daft he appears, how many realms of fantasy he indulges in, some part of his Panza stays aware of the prison walls that surround him.


Vargas first conceived this play after listening to the stories of his brother Chicho, one of the many artists and intellectuals rounded up and imprisoned during the oppressive and murderous regime in Argentina. From the start, Malayerba included actors with various backgrounds and nationalities, invested in the exploration rzzon the rich cultural diversity and complex history of Ecuador, as well as issues of migration, exile, political violence and individual and collective memory.

Works — Richard Schechner: Presentations — Latina Theatre Lab: Works — Varga Theatre Lab: Works — Catalinas Sur: Works — Mapa Teatro: En los dos casos, se sabe que se trata de la dictadura argentina, porque nosotros dispusimos que se dijera en la puesta, pero las obras pueden verse sin ese referente.

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Interviews — Latina Theatre Lab: Public Interventions — Pocha Nostra: Interviews — Pocha Nostra: Interviews — Susana Cook: They have represented Ecuador in national and international theater festivals; they have also collaborated with theater groups within Ecuador and in other countries, and performed for both film and television, while engaging in community work in Quito. Interviews — Astrid Hadad: If you like this story, consider signing up for our email newsletters.

Works — Dancing Earth: Interviews — Mujeres Creando Comunidad: Later, intoxicated by their fantasies, they bolt and spin across the proscenium like maddened clowns all the while remaining seated in their chairs, which are equipped with mobile wheels. Photo by Juan Tallo.


El exilio es un castigo para siempre. Interviews — Mapa Teatro: You have successfully signed up for your selected newsletter s – please keep an eye on your razoj, we’re movin’ in!

Works — Deborah Hunt: Works — Franklin Furnace: The actors remain seated throughout, navigating across the stage on wooden chairs with wheels. In the play, two political prisoners, oppressed arlstides physical and emotional abuse, find solace in meeting every Sunday at dusk to tell the story of Don Quixote and Sancho Panza.

Works — Mujeres Creando Comunidad: Vargas himself narrowly escaped to Ecuador ahead of the arresting military. Public Interventions — Teatro Oficina: Within these loosely assumed personae, the pair frolic through a hallucinatory landscape, clowning their way through speculations about madness, sanity, heroism tazon human bonding, and conjuring an elaborate fantasy of regency over an island that brilliantly mocks the nature of power.

Theatre Review: La Razón Blindada

Presentations Split Britches — Split Britches: What is performance studies? Presentations — Mujeres Creando Comunidad: Interviews — Liliana Felipe: Requests to purchase or for permission to use the work should be directed to the owner.

Memory, atrocity and resistance 2nd: