GUBAIDULINA IN CROCE PDF

Sofia Gubaidulina’s religious nature, specifically Russian Orthodox, finds expression in each of these pieces. Each also makes use of her much-loved bayan, the. Check out Gubaidulina: In Croce / 10 Preludes / Quaternion by Alexander Ivashkin on Amazon Music. Stream ad-free or purchase CD’s and MP3s now on. “Written over a span of forty years, these compositions by Sofia Gubaidulina have become staples of the double bass literature. In Pantomime one immediately.

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Sofia Gubaidulina

The work’s ending is quiet and somber. Drinking Crocw Out In Love. Whether you want to see what we think of today’s latest releases or discover what our critics thought of your favourite recordings from the past, you will find it all in our full-searchable Reviews Database.

Sofia Gubaidulina, Galina Ustvolskaya: Seven Words; Silenzio; In Croce. Chamber Music for Bayan. Romantic Evening Sex All Themes. After some wild playing from both instruments, the mood grows hushed again; dissonant chords in the organ accompany the barest of textures from the cello as they both converge again on E.

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This is a remarkable, compelling work. Jazz Latin New Age. Introspection Late Night Partying.

AllMusic Featured Composition Noteworthy. In croce; Quaternion; Ten Preludes.

In croce, for cello & organ (or… | Details | AllMusic

Chamber Music with Double Bass. Et exspecto Spanish performers in spiritual utterances from Gubaidulina View record and artist details Record and Artist Details.

Chamber Music from Russia. Share on facebook twitter tumblr. Later on, Gubaydulina began to incorporate the bayan, the Russian push-button accordion, into her works, and she and bayan player Elsbeth Moser rearranged In croce for ceoce and bayan in In Croce; Seven Last Words.

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The work’s title can mean either “On the Cross” or “Cross-Wise,” and it carres a musical meaning, along with the obvious Christian one. Genre Chamber Music Classical. Gramophone’s expert reviews easier than ever before. As the work progresses the two instruments begin to approach each other, eventually crossing in the most aggressive passage.

The all-time greats Read about the artists who changed the world of classical music. Please enable JavaScript in your browser to use the site fully. With In crocea number of cross-like ideas derive from gubwidulina title — crossing of registers, crossing of lines and textures and so on — which are essentially private creative stimuli for the composer.

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In croce, for cello & organ (or bayan)

AllMusic relies heavily on JavaScript. Roughly speaking, the organ or bayan begins the work playing comparatively diatonic music in the upper part of its register, while the cello plays spare tones in its lower register. Gramophone products and those of specially selected partners from the world of music. Composition Artist Credits Seven Words.

SOFIA GUBAIDULINA : In Croce – Works for Double Bass – CD – WERGO – Forced Exposure

gubaaidulina But in the major work on the record, the half-hour Seven Wordsthe sentences spoken by Jesus on the cross are graphically, even fervently implied. Both instruments center their activities on the note E. One of the many works in which Sofiya Gubaydulina makes reference to Christian themes and imagery, In croce was composed in for cellist Vladimir Tonkha, who, along with organist Oleg Yanchenko gave the work its first performance in the concert hall of the Moscow Conservatory.

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