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His music makes an extensive use of rhetoric strategies to create new forms of musical tensions and musical discourses.

Edson Zampronha | Composer

The next example occurs at 4 min. However, the first meaning never completely disappears.

Its division into three parts reproduces the global features of the entire work. Its third component is a sustained note with repetition features, giving way to repeated notes in the same pitch. Empezando con la nota Mi, las siguientes notas polarizadas son Re, Do y Sib. It is possible to find a very close correlation between the flexibility procedure used in this work and the concept of chance used in the last sculptures of Jean Arp.

Edson Zampronha

During this period his concept of re-interpretation applied to musical form was first used. Este solo es casi un recitativo, lento y profundo. He started out his musical training at a young age at home. These chords are unities that are fragmented by the use of specific extra-notes.



Some pitches are polarized in the work and are ordered to create a downward scale segment. Please wait a few moments while we process your request. His work is included in many CDs released by different labels and institutions.

Tension is primarily created by the close alternation of two adjacent polar pitches. Thus, the old and the new understandings overlap, creating tension that becomes the axis of the composition.

As of he starts an international agenda. This book is a demonstration of the capital importance of writing in the process of musical composition.

Edson Zampronha was born in Rio de Janeiro into a family of musicians.

Edson Zampronha – Wikipedia

Besides, specific sequences of these chords may generate a new-functionality producing direccionalities inside the work. Online publication on December 5, In this case, it interchanges notes E and D. His research focus on musical signification and it takes semiotics, music theory and technology as backgrounds.

By using this site, you agree to the Terms of Use and Privacy Policy. He has developed two post-doctorate researches on music and meaning, one at the University of Zampromha Finlandinand another one at the University of Valladolid Spainin These movements are a constant feature in this work.

His first lessons included zampgonha composition, history of music, theory, harmony, counterpoint and musical analysis, besides piano playing. Con ellas se crean tensiones y resoluciones. Concerning his harmonic language, Zampronha uses non-traditional but intelligible chords comprising many notes from 6 to 18, or even more. Zampronya freedom is related to the nature of the musical material to be generated.


Another aspect of this re-interpretation can be found in the use of sound materials and their references. Retrieved from edwon https: At the beginning of the work, the tuba and the marble sounds are melted.

However, it also takes in account that these features must occur inside the sustained note domain. Three means are used to lead the musical discourse and zammpronha the work’s drama: One of the keywords in the music of Zampronha is “re-interpretation” or re-significationunderstood as the act of understanding in a different way what had been previously listened to.

Two piano works by Edson Zampronha – Analysis and performance suggestions. These elements drive the work’s division into three sections.

Its first component is therefore a typical sustained note, while its second is a sustained note with melodic line features. Starting with E, zampronah next polar pitches are D, C and Bb. And there are places where timbre becomes central to the musical composition 5 min.

It is also important to consider the introduction of varying degrees of performance freedom included in the tuba score.