Henri Dutilleux. Choral, Cadence et Fugato, for trombone & piano. Composition Information ↓; Parts/Movements ↓; Appears On ↓. Share on. facebook · twitter. Dutilleux’s Chorale, Cadenza and Fugue for Trombone and Piano has never found its way into the mainstream of Trombone repertoire, yet it remains a frequent. Henri Dutilleux – Composer – Choral, Cadence et Fugato for Tenor Trombone – Music Sales Classical.
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Other Required cxdence Solo parts follow the strings:. In addition, there are often doublings in the Trumpet section – Piccolo and Flugelhorn being the most common.
For orchestral music, saxes are at the end see Saxophones below. Multiples, if any, are not shown in this system. Also, it should be noted that Euphonium can be doubled by either Trombone or Tuba.
The set of numbers after the dash represent the Brass. After some development of these ideas the fugue theme is stated in augmentation in the piano, over which the trombone plays a virtuosic fanfare figure. There is no low brass. cadencce
These numbers tell you how many of each instrument are in the ensemble. This section is in E major and travels up to high B-natural and down to pedal B-flat before settling on a long low E. It is a gem from the rich tradition of virtuosic French trombone solos which should be included in the repertoire of every serious trombonist. The seven minute piece begins with a lovely lyrical chorale tune in the trombone accompanied by lush fugat chords.
Thus a double reed fugaro of 2 oboes, english horn and bassoon will look like this: Saxophoneswhen included in orchestral music they rarely are will be shown in the “other instrument” location after strings and before the soloist, if any.
Henri Dutilleux – Choral Cadence et Fugato
Thus, this string quartet is for 2 Violas and 2 Cellos, rather than the usual The Beethoven example is typical of much Classical and early Romantic fare.
Composed for the French pedagogue Andre LaFosse, Choral, Cadence et Fugato has appeared on required lists for various solo competitions fubato the years but has not found its way into the mainstream of trombone recital programming. Strings are a standard configuration 4 first violin, 4 dutilleud violin, 3 viola, 2 cello, 2 bass.
Example 1 – Beethoven: This is standard orchestral nomenclature. Vining has appeared as a soloist and clinician nationwide and as a guest artist at many conferences. The cadenza features a dramatic piano tremolo over which the trombone plays phrases of increasing intensity.
This is a special instrumentation adopted and perfected by the Philip Jones Brass Ensemble. One of the more important recital works in the repertoire. Following many of the titles in our String Ensemble catalog, you will see a set of four numbers enclosed in square brackets, as in this example:.
Strings are represented with a series of five digits representing the quantity of each part first violin, second violin, viola, cello, bass.
Example 3 – MacKenzie: The first number stands for Trumpetthe second for Hornthe third for Trombone dutilleyx, the fourth separated from the first three by a dot for Euphonium and chooral fifth for Tuba.
As the title suggests, Choral, Cadence et Fugato is divided into 3 distinct sections although the sections segue smoothly from one to another. David Vining, assistant professor of trombone at the University of Cincinnati College-Conservatory of Music, offers recitals and clinics to brass players and musicians of all ages. It is a well crafted virtuosic piece from the French repertoire deserving of more attention from trombonists looking for something substantial to include on a recital.
This system lists Horn before Trumpet. Whenever this occurs, we will separate the first four digits with commas for clarity.
Choral, Cadence et Fugato, for trombone & piano
The bracketed numbers tell you how many of each instrument are in the ensemble. Grade 6 – Advanced Price: Brass Instrumentation Codes Following many of the titles in our Brass Ensemble catalog, you will see a set of five numbers enclosed in square brackets, as in this example: Sometimes there are instruments in the ensemble other than those shown above.
The first number stands for Flutethe second for Oboethe third for Clarinetthe fourth for Bassoonand the fifth separated from the woodwinds by a dash is for Horn.
Choral, Cadence et Fugato. The numbers represent only distinct parts, not the number of copies of a part. The composite rhythm of these two ideas together should make a stream of straight sixteenth notes.
Instruments shown in parenthesis are optional and may be omitted. As the trombone makes its initial statement, a counter melody is introduced in the piano. Alphonse Leduc,piano score and solo part. Woodwind Instrumentation Codes Following many of the titles in our Wind Ensemble catalog, you will see a set of numbers enclosed in square brackets, as in this example: Typically, orchestra scores have the tuba linked to euphonium, but it does happen where Trombone is the principal instead.
Thus a double reed quartet of 2 oboes, english horn and bassoon will look like this:. Choral, Cadence et Fugato. Those trombonists interested in participating in the Eastern Trombone Workshop solo competition will soon become intimately acquainted with this piece as it is the required work for one of the age groups. Students who are new to this work are in for a challenge and will find much to like about this piece, especially upon discovering the interpretive possibilities throughout the work.
Titles listed in our catalog without bracketed numbers are assumed to use “Standard Instrumentation. Note also that the separate euphonium part is attached to trombone with a plus sign. And finally, here is one more way to visualize the above code sequence: The system used above is standard in the orchestra music field. While this instrumentation has come to be common, it is still not “Standard” as many Brass Dectets use very different forces, most often with more Horns than PJBE.
The accompaniment foreshadows the fugue theme between each phrase and the trombonist is provided ample opportunity to put a personal spin on each phrase.