So even if you can’t get inside the drum, there’s still a lot you can “I use a three- microphone technique on bass drum,”. Of all acoustic instruments, drums and percussion instruments seem the most elusive to capture with a compelling sound. Pop recordings are. First is the dynamic mic, which will often be used on the snare, bass drum and sometimes on the toms. A dynamic mic functions just like a.

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Try as producers and engineers do, you cannot defeat basic physics in the recording studio. The method starts with taking your first overhead mic and placing it about 3 to 4 feet directly above the snare or middle of the kit.

The microphones are spread vrum above the drumset at equal heights, pointing straight down. Some things to keep in mind with the Glyn Johns method and really with any method of recording drums:.

Five Techniques for Stereo Miking Drums | Shure Blog

Thanks for taking a moment to report the bug you experienced. Multipattern LDCs provide even more options.

Graham on October 6, at Why Do Microphones Sound Different? Paul on Red Rose Speedway!!!

Before I started taking piano, I had always imagined the Conservatory students to have it so good — I mean, for their homework, they get to play guitar, or jam on their saxophone, or sing songs!

The effect was so strong. With a four-mic set-up, neither of our overhead options, although giving a natural representation of the kit mikinh clear cymbal sound, will give much definition from the toms. Retrieved 9 Aprilfrom https: A pair of cardioid mics provides several distinct, viable OH sounds. The mic should point across the top of the floor tom toward the snare and smaller toms, which ensures that the snare sound will reach both mics at the exact same time, resulting in a strong, well-defined, and in-phase drjm tone.


Are you bashing your cymbals to the point where the toms are too low by comparison? The XY tecnhiques coincident pair approach wins points for its guaranteed mono compatibility. If out of phase, the two channels will sound hollow technlques heard together. Glyn Johns Mic setup David Beauchamp – [ Most dynamic mics use a cardioid pattern, which means they reject sounds coming from behind them while also boosting bottom-end when placed close to the subject.

What are you using to embed your sound samples? Currently it sounds like WordPress is the top blogging platform available right now.

The Glyn Johns Drum Recording Method

Marc Lapointe on January 10, at After looking over a number of the blog posts on your website, I truly appreciate your way of writing a blog. Sure, if I place the moking mix well above the rest of the backing tracks, I can hype the listener into thinking the drum sound is big and muscular.

The other type of mic that is frequently used is a condenser mic which, unlike the dynamic mic, needs power sent tschniques it from the desk or pre-amp.

Recording Philosophy Being a professional recording engineer, called to take care of critical recordings, I have over the years adopted a certain working philosophy of recording. Wyshwood on May 10, at 1: Dar — The 2nd OH is above and slightly back from the floor tom and yes that put it slightly underneath the cymbal there. Alexandre on September 12, at 3: Therefore, the best kick sound is typically captured in front of the bass drum, while the best overall sound is usually gotten from above the kit.


What do you think of using this technique for a live show? With new rules governing the use of technology in drum corps performances, Bluecoats wanted to see what wireless audio and in-ear monitoring could do for them.

The Wonderful World Of Microphone Techniques For Drums

Lucas Gabriel on Erum 29, at The best place to start a drum sound is with the overhead microphones. I really enjoyed what you had to say, and more than that, how you presented it. Simply enter your email below and we’ll send it techniaues away: Please visit my website too and tell me your opinion.

I also have a true shure sm57, and a G. Space There is exactly percent of available space in any recording.

I have a Behringer B2 and was wondering if it made a difference if I used a figure 8 miiking. Now you have two overheads that are equidistant to both the snare and kick. My website is in the very same area of interest as yours and my visitors would definitely benefit from a lot of the information you present here.

Graham on June 3, at 9: