Denis Azabagic – Competitions. . The Concept of Music and Competitions I started attending international competitions seriously when I was 18 years old. One of the most stressful situations that a music student (or any performer) encounters during their studies is the day, the hour or the moment of the performance. One of the most stressful situations that a music student (or any performer) encounters during their studies is the day, the hour or the moment of.

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Denis azabagic the gfa competition winner is more than equal to the considerable demands this music presents.

Denis Azabagic – Competitions. Does the jury need some time to “warm up”?

As the moment conpetitions performance approaches I try to keep my mind focused on music. Stock varies by site and location. Let me tell comoetitions about another incident that occurred in competition in Markneukirchen, Germany in That is one of the downsides of competitions-learning music that you will probably never play again. There is always a story behind every piece, how it was composed, what inspired the composer to write it. Whether it is a first lesson, entrance exam, graduation recital, audition, or music competition, there is always presence of this inner fight with our nerves.

Scribd is the world’s largest social reading and publishing site. You really get the feeling that after participating in one competition three times you have gotten to know everyone!

For some time now I have been thinking about memorization and the way competitoins brains memorize.

That is just the nature of things, competitilns anybody’s fault. Well, we are all different. After playing this program so many times in a short period of time, I thought it would be a good idea to play it at the competition where I would be compared to other instrumentalists and singers.

I participated in those competitions during my high school years After a few agonizing hours the decision was made that I would stay in the competition because the organizing committee had accepted my repertoire list a few months before, and the jury had no authority to disqualify me azabgaic I was accepted to compete.


On Competitions: Dealing with Performance Stress – Denis Azabagic – Google Books

Competitoins in your own world until you have done your job. When deciding, I was taking into account not only the first prize but all other prizes as well. I enjoyed the tour immensely, I gained experience regarding the intense touring and I hope it never gets so intense againand it allowed me to create contacts with the presenters, or in other words, it really put me on the guitar concert stages of the USA and Canada. When my spirit quivered she gave me strength.

Self doubt is part of all of us compehitions enclosed are ways to control it, not to eliminate it. Get the extra files for your Mel Bay book by clicking the copmetitions Extras” button below.

All those ideas about imagination, inspiration, storytelling with the piece- those are the things I try to think about.

Do we know where the melody is, where it begins, where and how it ends? Then the first infonnation input, which came as a score, is forgotten. That is mental preparation and memorization of the program. On the contrary, it takes our focus away from where it has to be, and that is on our playing. Each instrument was competing in its own category, but high standards were applied to every category.

We are dedicated to providing the best in all styles of guitar performance, acoustic instruments such as banjo, mandolin, dulcimer, harp, harmonica, recorder, tinwhistle, and fiddle, as well as keyboard, wind and percussion instruments. Some competitions do not pay fees to the jurors. Receiving prize in Concurso Internacional de Guitarra “Francisco Tan-ega” in Benicasim, Spain 15 The Day of the Performance One of the most familiar feelings to me is that of tension on the day of the performance.

Denis Azabagic – Competitions. Dealing With Performance Stress – [PDF Document]

Her support and encouragement during the crucial moments helped me achieve my goals. Share your review so everyone else can enjoy it too.


It is your choice how you want to put it. Do we understand the harmonic structure of the piece and use dynamics and energy to help the harmonic progression or resolution? The conservatory where I studied in Rotterdam The Netherlands often helped me with travel expenses.

Denis Azabagic – Competitions. Dealing With Performance Stress

When I won the “Manufacturas Alhambra” competition in Alcoy, Spain, the first prize was excellent and the 2nd and 3rd prize were not very significant.

You can hear some players in the next round; you don’t have to hear them in the first round. You can either look good or not so good on stage-it is up to you. I think in great part that is true. In the competition brochure several composers were listed as possible choices. During the summer of I aazabagic in touch with Bob Mayeur, the GFA tour director, providing the promotional material and other things necessary for the tour.

Muros Tendinosos Longitudinales Azabagci Tendinosos Transversales En los niveles superior e inferior debe de existir elementos de amarre. This I would divide in two areas: When one starts learning a piece from the score, the brain processes the infonnation and the piece is learned as a set of motions. If you take a time to think about the GFA, you will realize that this is the organization which in about 18 years managed to put a competition that at this point has the best 1’1 prize among the guitar competitions.

All these reflections on our playing can be obtained elsewhere, at master-classes for example. I think that we always have goals for the future and if these are things that we desire and consider important, then we will always have a feeling of responsibility to achieve them. There are a few “rules” of behavior on the stage. These are only azabgaic few of these questions and points which we learn with time.