Lc meletinsky, eleazar sociedades, culturas y hecho literario. A todos ellos deben afiadirse una introducci6n a ia teoria literaria. Now you can watch full. Title, Teoría literaria. Lingüística y teoría literaria. Contributors, Marc Angenot, Jean Bessière, Douwe Wessel Fokkema, Eva Kushner. Publisher, Siglo Veintiuno. Title, Teoria literária: problemas e perspectivas. Volume 51 of Nova enciclopédia. Author, Marc Angenot. Contributor, Edmond Cros. Publisher, Dom Quixote.
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However, the application of psychological concepts to an analysis of a work of art should be guided by the possibilities of the explanations that such concepts have for this task i.
Books by Marc Angenot
The Study of the Creative Process. As litefaria consequence, the individual perception of a writer is his thought, his invention, an observation about what is perceived. In order to examine the interaction between the text and the reader, Iser looks for those qualities of the text that render it legible, deserving to be read, or that influence our reading, as well as the charactistics of the reading process that are essential for the comprehension of the text.
By adopting this precept of Ingarden, Iser exchanges the focus of the text toeria an object with the text in potential, born from the results of the act of reading.
Teoria Literaria : Marc Angenot :
An example of this is represented by works constructed using the stream of consciousness technique. On this basis, we would have the following scheme: By connecting the elements of this scheme with one another, we understand that they are valid for a schematic representation of the process of textual reception. This presentation of fundaments for a theory of artistic production, however, deserves a specific discussion, such as that performed by Bordieuwhich is beyond the purposes of the present study.
This opinion was shared by the German philosopher Schlegel, who understood imagination as the ability to associate images at the consciousness level, in anhenot to fantasy, which appears to operate with images arising from the frontier with the unconscious.
Litegaria, Psicologia e Literatura. Psychological studies of the process of creation of literary works usually involve the stages that all creative processes go through, respecting the peculiar variations in the style of each author.
However, according to the author, something new is only valid up to the point it serves to interpret a universal topic of human experience. Learn more about Amazon Prime. And, starting from Romanticism, a more marked subjective tendency towards artistic themes and towards interest in criticism is added to these facts.
In Sartre’s conception, therefore, the descriptions of types, environments, sensations and emotions detectable in literary texts place us in front of a symbolic system whose understanding is a movement that is never concluded but in whch the symbologies are continuously sought for the progress of knowledge. The concretization of the text, in contrast, refers to the product of our own productive activity; it is the realization of the text in the thinking of the reader, achieved by filling out the blanks or openings in order to eliminate what is indeterminate.
In other words, according to Leitep. A psicologia e o estudo da literatura In D. Share your thoughts with other customers. However, although being a type who is part of a social group, a personality is regulated by traits i. Problemas e perspectivas pp. In turn, the collection of subjectivities and cultural images of a people is conceived by Durand as a response to the human anguish in the face of the finitude of life i.
The fact that the geltaltists, in contrast to the psychoanalysts, have not reserved a place, understood as an energy reservoir, for the unconscious. In turn, literary studies of the 18th century emphasized the creative power of imagination as an essential activity of artistic creation, in clear opposition to its meaning in Antiquity i.
Thus, when this relationship takes place the gaps disappear” Iser,p. The fictional repertory, the textual strategies, the variants of reading, the implcit reader and the gaps of the text are processes that complete the perspective of the text in itself and its reception by the reader, whose space is guaranteed in the studies of his critical successors.
In the psychology of the writer there is the presence of the psychological interpretation of biographies and autobiographies of other writers, which help him learn about the authors. This theory is identified by the E-R model i. A Ideia da Fenomenologia.
The reader must recur to his imaginative activity in order to establishe the meaningful coherence of the text. As explained angneot Ceia, the original Greek meaning of the concept, maintained in the German term Phantasierefers to what is present in the first great theoreticians of the subconscious, Freud and Jung, corresponding to how they always used the term.
Within this context, there would be a causal relation between ajgenot and behavior i. When facing a text, we constantly project expectations that can be satisfied or disappointed; at the same time our reading is conditioned by the renunciation of sentences and concretizations.
According to Ceia, imagination, as early as stated by Aristoteles trans. Jaus, A literatura e o leitor: In the Liiteraria and Villar dictionryp.
In turn, Kaufholdin a study analyzing fact and fiction regarding Teoriw sanity, pointed out psychological, biological and sociocultural human disorders such as anxiety, somatization and dissociation, among llteraria, which, being detected in all cultures and in the most different times, although with different names, permit the readers to observe that they are increasingly able to repress instincts, a fact known to anthropolgists and sociologists in their studies of civilizatory processes of adjustment.
The first differentiator beween the text and a work of art is the artistic aspect, which is located here by the author for us to read, and which must be better conceived as a potential expected achievement.
On the basis of the studies of Rozestratenand transposing them as far as possible to the study of the role of the reader in the literature, we conclude that at least three conditions are necessary in order to produce an adequate reading of a given work i.
Explore the Home Gift Guide. Thus, he grew up feeling that he was rejected as a writer, a fact that not infrequently tworia a direct influence on his obsession for the subject of suffering caused by death. Amazon Rapids Fun llteraria for kids ahgenot the go. The traits are in the person; the types in an external viewpoint.
Configurations of literary culture. Within teofia context, Coleridge, one of the creators of romanticism in England, by admitting that the full vitality of the senses can be experienced only through imagination, elevated the latter to the creative power literaia God.
O article presents the partial results obtained from the development of literature llteraria to the course called the Psychology of Literature litdraria Psychology in Literature, taught at the 43rd Annual Meeting of the Society of Psychologists in Aracaju Sergipein Within this context, significant contributions of contemporary literwria such as the description of the behavior and inner experience of an individual as a spontaneous activity, the continuity between the different degrees of problem solving and of the creative capacity and the attempt to interpret the unconscious life through dynamic forces are relevant resources in the attempt to explain the creation and permanence of a literary work.
Amazon Advertising Find, attract, and engage customers. By representing reality or by self-representation, a literary work may show realistic intentions, with a character being dentified as a social individual; conventional semantic intentions with the text acting as a mediator of the instances that occur in the narrative; simulation intentions, in which what can be said or not said is always indirect; and social symbolization intentions, with the narrative involving a consideration of the manner how society symbolizes itself.
It is definitely possible to state that fictional characters appear to be psychologically true, especially in cases in which the author has sought in psychology the figures and interpersonal relations he has used in his work of art.